Nanda Illahi, Okayama University

This action movie examines the discontent boiling beneath the surface of the Korean economic powerhouse.

Nanda Illahi, Okayama University

Set against the backdrop of Malaysia’s infamous 1969 race riots, this young adult novel and webtoon deals with the horrors of prejudice and trauma.

Nanda Illahi, Okayama University

With British, Spanish and Korean members, the UK band has people everywhere divided on what it means to be a K-pop group.

Nanda Illahi, Okayama University

The coming-of-age show deals with cultural identity, grief and teenage romance in a touching and relatable way.

Nanda Illahi, Okayama University

After the success of ‘The Circle’ and ‘Love is Blind,’ Netflix has released another dating show with a twist.

Nanda Illahi, Okayama University

The Chronus Art Center has created a digital art exhibition that feels remarkably prescient.

Nanda Illahi, Okayama University

The Netflix miniseries portrays a young Jewish woman fleeing a strict, patriarchal, Orthodox home in Brooklyn to Berlin.

Nanda Illahi, Okayama University

Other YouTubers are also using their mental health for monetary gain, so what makes her channel so much more damaging?

Nanda Illahi, Okayama University

These games will have you so consumed that you’ll forget about any quarantines.

Nanda Illahi, Okayama University

With everything from romance to rivalries to zombies, these Netflix shows will keep you occupied while you’re stuck inside.

Nanda Illahi, Okayama University

Some say the Netflix show justifies an obsessive stalker, while Leigh Whannell’s movie depicts the true horrors of domestic violence.

Nanda Illahi, Okayama University

The YouTuber and television personality could be paving the way for queer women of color, but her repetitive and stereotypical jokes might be too problematic.

Nanda Illahi, Okayama University

The documentary ‘I Met You’ reconnected people with their deceased loved ones. Is it heartwarming or hazardous?

Nanda Illahi, Okayama University

The LGBTQ+ show is bringing a new and necessary viewpoint to Japan’s Yaoi and Yuri-saturated pop culture.

Nanda Illahi, Okayama University

As the first foreign film to win best picture, this South Korean movie is opening doors for the future of international cinema.